Saturday, January 15, 2011

TOP 10 Questions #8. Scouting... Why Would I Want to Do That?



Whether you have a scouting trip is completely up to you and your photographer. Scouting can significantly help elevate the chances that the images you receive from the photographer are the images you envisioned.
There are three types of scouting:
  • You and the photographer are both present on site. This is the most ideal situation to ensure the exact views and details of an image are exactly what you’re envisioning, but can also be the most expensive.
  • You have the only photographer (or one of his/her assistants) go to the site. They take rough scouting images based on a floor plan/site plan with a shot list and angles for images identified. Those images are sent to your office for review, feedback, and approval for the final photography shot list. The margin for error in you achieving exactly the shot you want increases with this option, since you’re not there on site with the photographer.
  • You provide rough images. These have been taken previously by yourself or someone on your staff and generally accompany a floor plan/site plan given to a photographer identifying angles and specific details provided. The chances of not receiving exactly what you anticipated is increased further, as the photographer will have never visited the site before the day of final photography and can’t plan for potential issues that may impact the shoot that would otherwise be identified during a scouting visit.
Which type of scouting is also a judgement call based on several factors:
  • How confident are you in the photographer understanding what images you want or details to highlight from just a conversation or a floor plan diagram?
  • How critical are the images to your portfolio? If these are going to be “flag ship” images, then the more critical it is that you be there to ensure your vision is captured in the images
  • Is it a cost effective decision for you to also be at the shoot if it is not local to your firm’s main office?
NOTE: Reshoots are expensive and can be irritating to all parties involved, so, if at all possible should be avoided, and the best way to avoid them is a scouting session.

Whether you were there or not, and whether we are your photographer on a project or not, if you have any questions or comments about commissioning architectural photography, please feel free to drop us a line anytime. We'd be happy to help!

Kimberly Blom-Roemer
Photographer
R2 Photography, LLC
r2-photography.com

866-722-9506866-722-9506

Sunday, January 2, 2011

TOP 10 Questions #7. Another Firm Gave Me These Images from A Project We Worked On Together, It is OK To Use Them On Our Web Site… Right?



Tentatively Yes, if along with the images, they have provided you a written statement from the Photographer either granting you permission, or a statement that the Copyright has been transferred from the Photographer to the firm giving you the images, and that firm is giving you permission to use them.
Typically… ABSOLUTELY NOT.
If you have received photographs from another person or firm, and you have not seen a document providing written permission for you to use them, it is YOUR responsibility to secure licensing rights before using them. When in doubt, contact the photographer before using the images.
Any copying, reproduction, distribution, public display or creation of derivative works of images without specific permission from the photographer is a violation of Federal copyright law. This includes putting them on your web site.
Simply having physical possession of photographs, slides, prints, transparencies or digital files does NOT grant the right to use them.

Whether you were there or not, and whether we are your photographer on a project or not, if you have any questions or comments about commissioning architectural photography, please feel free to drop us a line anytime. We'd be happy to help!

Kimberly Blom-Roemer
Photographer
R2 Photography, LLC
r2-photography.com
866-722-9506